Rain In My Heart is a very powerful documentary which gives us all-round access to the issue of alcoholism with a key focus on four of its sufferers. Surely, this would mean that his documentary would attract more viewings but at least that would mean that more and more people would learn and be warned about the effects of alcoholism. Tonis most exploitative scene, as I believe, is when she is shown unconscious a few days before her death. Stream "I've Got Rain In My Heart" by The Fresh Experience on desktop and mobile. Because the participants in the film are always in a very fragile state because of their problems, it makes the audience question can they actually give valid consent? But I dont appreciate so much. The subject was in a particularly vulnerable state and he took advantage of that and filmed her confession. However, from what I saw in the film, Watson does take advantages on his subjects. One ethical issue that could be introduced at this point is how certain filmmakers victimise their subjects. It is hard to be objective about this film because it is so easily relatable to me, I live equidistant from Medway hospital and Maidstone hospital, and most people avoid Medway because of its reputation. Critic Richard Brody (http://www.newyorker.com/culture/richard-brody/taking-it-off-for-the-holocaust) described it: Schindlers List features several of the most vulgar and repellent scenes ever filmed. With that being said, I do feel that Paul W has exploited them to some extent. This I feel undermines what his role as a filmmaker is as it shows his intentions for the direction of this documentary. I think that I am pretty satisfied with his attempts of dealing with the subject of alcoholism, he has shown a shocking but well-needed documentary to educate all kinds of audiences the effects of alcohol. To clarify, I dont think hes exploiting anyone in this film. I immediately recognised the castle in the establishing shot in the opening sequence and was taken aback that this documentary was made literally where I have grown up and gone to school. RAIN IN MY HEART BOWY Rock 1,125Shazams play full song Get up to 5 months free of Apple Music Share OVERVIEW LYRICS PLAY FULL SONG Connect with Apple Music. The subjects had all agreed to be filmed but the thought of switching the camera off and helping must have been fairly strong. Is it really more important that showing the dangerous of alcoholism by peoples moment who dying even ignore their life? By the time she married at 18 she was a serious drinker - the marriage didn't last, nor did a succession of jobs despite her being able to speak at least two other languages. It may be their escape from their issues, and what I think is also important to keep in mind is that if they are using alcohol for this reason, then it could have easily been any other drug. Rain in My Heart over steps the line between subject and film-maker relationship and Paul Watson in the end exploits his subjects. At the same time, I do think Paul Watson exploited his subjects. I particularly found the way that Watson asked questions respectable, when talking about the monsters in Vandas head she stated she didnt want to talk about it and he was reassuring and moved the conversation away from them. Just finished it and I wonder what happened to Mark and Vanda. For example, when Vandas temper reaches a certain point and she slams the phone down repetitively, wanting to break it and smash it pieces. Rain In My Heart is a weird documentary to watch for me because it is based very near my hometown. I can understand how to other viewers, this film may be seen as a breach to ethics within filmmaking, with how Watson gets so close with his vulnerable subjects, however, I feel that Watsons approach is what makes this film such a powerful observation. Trevor Beckett 791 subscribers Share 522K views 9 years ago Brilliant, unflinching documentary on alcoholism by Kent film maker Paul Watson. That he doesnt so anything to stop them drinking is a part of their own agency, and I believe shows more respect than if he had intervened. He is a quite good interviewer, especially in the interaction between him and the characters. Rain in my Heart is a powerfully, touching film. http://news.bbc.co.uk/player/nol/newsid_7140000/newsid_7143600/7143616.stm. Paul Watson does a good job at creating face and gives the appearance of being genuinely interested and sympathetic so in that way it is easier for us to lower our defensive walls and absorb what the documentary is trying to tell us. I felt as if Watson was genuine in the fact that he did care, he wanted to see the subjects overcome their problems, in a scene where he is at Vandas house, he stands with her and says although he cant stop Vanda from drinking, he doesnt want to see her do it. One of the patients, a caption told us at the end, was now "in recovery". Watson observes the subjects but chooses not to intervene but to simply probe the subjects including their families. There are many intimate moments within the documentary, such as the funeral of one of the subjects that had passed due to the abuse of alcohol. I think it is not proper for observational documentary, Watson deliberately shows his audience of certain moments to lead them into a certain emotion, which i think might be too subjective. Alcoholism is a very sensitive subject for some and as a viewer I felt he was exploiting his subjects; to a certain extent. So all these people dont mind being shown in their most vulnerable state on national TV and even Watson at times ask the subjects if they would like him to turn the camera off. I didnt expect Rain in my Hearts to emotionally affect me as much as it did, though we were warned. He leads the interviewees go into their deep heart and gradually express their ideas. I feel that to say Watson exploits his subjects within the film is unfair. This is getting a lot more personal. He is good at capturing facial expressions and touching moments, though he constantly replays repeated footage to create a moment. (2006). After all, I am satisfied by what Watson did to deal with accusations. such as askingcan we enter the subjects house? I feel that Paul Watson did exploit his subjects to some extent. We ask a lot of our hunters as many times we will pass 200 inch deer to pursue true giant deer. Thats exactly what I think about the film: it is extreme and crude in some scenes but this cannot be translated as exploitation but as accurate and careful explanation and evidence of a serious phenomenon such as alcoholism. The subjects are very vulnerable and Watson knew this, therefore ethical issues due to the interference of reality from Watson. Rain In My Heart is a 2006 documentary about alcoholism. The attempts to deal with these accusations are unsatisfactory as the unethical conduct exhibited in this film were necessary for the desired effect. RAIN IN MY HEART Mark's story By the end of his teens he was married with a daughter - but his wife couldn't control his drinking and the marriage collapsed. However, what I think strongly outweighs this are the positive effects of the film in terms of education. To watch this sequence of Watson, truthfully revealing his professional flaw, for me, was quite humbling. Mark may well have been a grey area and I wasn't sure whether he was so unhappy because of the drink or if he was using the drink because he was unhappy. My DF was a chronic alcoholic (who died after eventually committing suicide) and I grew up with my parents while social circle being people in AA and Al-anon so maybe it was less of a shock to me as I've seen most of this first hand. Rain In My Heart is a documentary that is observing four alcohol abusers Vanda, aged 43; Mark, 29; Nigel, 49 and Toni, 26 from the impoverished Medway towns of north Kent. For someone to say that Watson exploited the people in the film is to say that he harmed them in some way, which I dont think he did. However, Watsons humanity and compassion shines through. A prime example of exploitation was the most vulnerable and interesting subject-Vanda. In comparison to other hard-hitting and eye opening documentaries and coverage of alcohol/substance addictions, I think that Rain In My Heart is hardly exploitative at all. Watson himself has said that he received criticism for not helping his subjects; this could be an argument of him exploiting his subjects. How could you go, my love Without a thought (2006). It is true that his documentary can be judged and considered as an observational one: the filmmaker lets the interviewee talk about his or her problems and express all his or her weaknesses. "My heart is aching. My point being, Watson could have constructed his Documentary in a more ethical way (probably without capturing the outstanding footage he managed to get) or could have been completely unethical by being dominantly intrusive and not taking into consideration personal boundaries, I do believe he has balanced these to an acceptable standard. (LogOut/ My main criticism of the film is Watsons commentary on the events and decisions made during filming. Although we see Paul telling Vanda that he will ask her later whether he should use this footage in the film, we do not know if he actually did it. Therefore, Watsons approach definitely satisfied me with how delicately he treats the patients and clearly recognizes his role as filmmaker. https://www.facebook.com/pages/Rain-In-My-Heart-Documentary-In-Memory-Of-My-Dad-Toni-And-Vanda/233416877232. We follow Nigel and his supportive wife Claire as they spend their final weeks together. On Thursday, in a special follow-up film for Newsnight, Paul revisits two of the alcoholics from the film, plus the widow of one of those who died during filming. It is one of overwhelming sickness and reduced privacy/independence. This is followed by a sequence of Claire crying at his funeral and shots of the casket. Whats offensive? Although the documentary is very intimate, in both its setting and the framing of the subjects as the yellow-y and fatigued skin of the subjects is shown through close ups. Play over 265 million tracks for free on SoundCloud. I felt this was putting unnecessary emphasis on the ethical issues in the film; he presents himself as if he is guilty of exploiting his subjects before his audience are able to make up their own minds. Yes it does raise awareness, and the documentary was good, however, to feel taken back is not the sort of emotion one should try to evoke. Documentary, TV Movie. It seems much so that Paul Watson is very much clear of his role within his observational style of filmmaking in his documentaries. He would ask the interviewees why theyve relapsed or if they feel disappointed with their failed progress, but depending on the reaction to these questions, Watson would take a step back if he sensed it was in anyway emotionally challenging, until the subject would take control and continue/stop themselves. Trivia Goofs Crazy Credits Quotes I feel like Rain in My Heart must be a controversial documentray in terms of how dealing with the ethics in this film. http://news.bbc.co.uk/1/hi/programmes/newsnight/7140605.stm. Since 2016 we have been able to harvest 15 Bucks over the magical 200 inch mark, many eclipsing 215 inches and two bucks over 245 inches. Also just to confirm Gillingham is a pretty shitty place to grow up in, so the documentary comes across as very sincere. I wanted to look away and the only reason I didnt was because I felt (as i think Watson does) an obligation to make a point of the four subjects publicized suffering. On the other hand, he showed the subjects at their worst, but almost continuously. This gives the impression that Paul Watson is only interested in the success of this documentary. Are you satisfied by his attempts within the film to deal with such accusations? This specific example also leads me to point out how, by digging deep into these miserable cases, the audience would get a clear idea of WHO alcoholics really are and HOW they got involved with alcoholism. It follows 4 alcoholics from the hospital to their homes. Therefore, maybe his techniques did actually work quite well, although flawed and subjective in places. About the same age as Vanda, Kath has spent more than a decade caring for an alcoholic. Rain In My Heart by Edgar Lee Masters There is a quiet in my heart Like on who rests from days of pain. There are only so many times we would need to see this clip before it becomes useless to the narrative, and is only trying to evoke fear in the audience as they start expecting, or even demanding, for the situation to suddenly become worse. The feeling of films like that, of seeing something terrible aestheticized, is usually along the lines of the feeling Want to turn away but cant I tend to find that the cant often means secretly dont want to. 2 . Paul Watson. Therefore I agree that their lives were exposed (as they agreed and wanted them to be) but they were not harshly exploited by Paul. Currently, Penny Parker's life was great. Also, later on the film when he asks of the liability of the life experiences she has told him, I felt it was very unnecessary to show her breaking down. It is true that there are not many cut ins of his own questioning however Watson thought it be inappropriate to constantly show his own personal struggles when his subjects are undergoing way more traumatic psychological illnesses. Although he felt a great need to capture this real footage, it was only when he almost invaded the subjects personal space (their homes) knowing they would be under the influence of alcoholic beverages, did they begin to open up emotionally and share extremely personal experiences. Please log in using one of these methods to post your comment: You are commenting using your WordPress.com account. Directed by. This film must encounter with some ethics problems and Pauls observational style should instigated arguments. I feel as though Watson was trying to be as ethical as possible, baring in mind his need to capture this shocking footage in order to create the Documentary. I feel it is hard to say if Watson exploited his subjects, because I dont know whatever deal they probably made behind the screen. Rain In My Heart, was a very touching and eye opening film. To apply this aestheticized approach to documentary, look at the trailer for The Imposter https://www.youtube.com/watch?v=2LuFOX0Sy_o As Watson edits his film himself he gets to choose what stays in the final cut, therefore raising other ethical issues as he may have only chosen to show the subjects at their worst and in very emotional states. My beautiful wife, Denise . It is hard to watch, but becomes even more uncomfortable when Watson interjects right in the middle of someone elses story, such as Mark, to remind the audience of the monsters. Or when Nigel downs a glass of red wine. I feel sympathy towards the subjects because they were, maybe, unsure as to what they had agreed to, and what it involved. I believe it was not his job to cure the patients, neither was it to encourage them to drink, however his involvement with the hospital and its patients was simply to reveal the complex and brutal causes and effects of alcoholics. Listen to Rain' in My Heart on the English music album Wonderful Soundtrack by Slim Harpo, only on JioSaavn. I think Paul Watson just record the really experience of alcoholic people, and to large extent to show their emotion and struggle about giving up drinking and the pain they have suffered because of drunk. There are some moments that I will have questions against this films moral or ethical problems. /Users/abgsaniya/Desktop/hqdefault.jpg. However, you cannot debate the fact that at some points in the documentary, Watson did take it too far. For example, Vanda(I think its her name) points at her head and say it is there. Watson himself, also repeats that whilst he is filming them he will not intervene; it is his job purely to observe. Anyway, audiences (including us) will always question whether a subject who is having their whole life pried open for viewing could be a victim of exploitation. For one the subjects were extremely vulnerable which raises the question on whether they were in the right state of mind to consent to being filmed and telling their story. Even if that wouldve been the case either way, I think as an observer you shouldnt encourage it. Boozenight is on Thursday, 13 December, at 10.30pm on BBC TWO. Indeed, there are many moments when one questions the ethics of his filming, however I believe that it is simply a matter of distinguishing whether or not the capturing of such harsh realities is in itself, exploitative. Director Paul Watson See production, box office & company info Add to Watchlist 5 User reviews Won 1 BAFTA Award 2 wins & 1 nomination total Photos Add photo More like this 6.7 But I find he violated the rules of documentary as he did interfere with the subjects and pushed them to an extent that made them fall back. The most obvious example is the scene where Vanda (being drunk) tells Paul about the monsters in her head, even though she did not want to talk about that when she was sober. The way sounds from different moments would melt into each other reminded me of the background cacaphony of hospitals, with distant melodies of monisters, doctors and patients fusing. He explains himself, he is aware of what he is critised for, but overall has achieved an importantly informative film about alcohol and its effects. I remember feeling genuinely scared that some of the subjects were going to die: such as when Mark was at home and was continuing to drink in excess and constantly vomiting. I want to quickly point out that, I didnt like the parts in the film where he became the self-reflexive type and centered the documentary on his own emotional state. This however does not detract from the fact that I believe some of what Watson did, did push the boundaries on what is ethical and moral within a documentary. Watsons past experience in using the observational documentary style in his films means that he is well adjusted to the style. At first, I believe, Watson had every intention in trying to, in the most effective way possible, try and exploit his subjects. Death is a very personal thing and is something that could be seen to be to real for TV viewing. Another point in this film is when Paul Watson films a drunk subject who discusses the, monsters in her head, which she previously was not ready to do. In one scene we hear Watson as whether or not the information he is receiving from one of the subjects would be appropriate to include in the finished product. Here I refer to when he would talk to the viewer/camera about how he felt at certain points of the film it drew away from the importance of what he should have really been filming and instead became self indulgent within the context. The documentary was quite raw as Watson did show his subjects when they were at their most vulnerable, when they had no real control of what they were doing. To judge whether or not Watson exploited the people in his film wed have to know exactly how hes profited from them. This means as subjects they must think the documentary will help. Dee3 Posts: 10. Firstly there is very little music (it sounded like the grating pop track at Nigels funeral was actually being played live on a stereo) The camera work seems to lack precision and is only there for immediacy. Watson stated at the very beginning of the film that he would not intervene in the lives of the people he was filming and would not stop them from drinking if they relapsed. Play online or download to listen offline free - in HD audio, only on JioSaavn. Even though there is not exact evidence of Kath saying this to Watson, I believe that if she had thought differently the scene would be cut out since it is such a dramatic and personal event. I do agree he is explaining in a graphic way the torment of being addicted to alcohol and the consequences that excessive drinking does to ones body. Some of you may felt that Sunday's documentary was a bit light, a little bit like eating candy floss, no substance. There were some scenes in which the people he was filming were obviously out of it and not at all in a healthy condition, physically or mentally. Overall, I see both sides of the argument. Considering this film brings light to the mental conditions that tend to lead to alcoholism, then was Paul Watson in the right place to accept the consent from these people? Create a free website or blog at WordPress.com. Outside, the sparrows on the roof Are chirping in the dripping rain.Rain in my heart; rain on the roof; And memory sleeps beneath the gray And the windless sky and brings no dreams Of any well remembered day. Ones initial reaction would be to strip her of the bottle however, Watson remains faithful to his observational aim and instead of forcefully stopping her he simply tells her that he is disappointed in her. Finally, the article posted below discusses Rain in my Heart alongside other documentaries of Paul Watson. So with saying that, I was satisfied with the way that Watson handled his participants. When watching Rain in my Heart I felt that to say Paul Watson exploited his subjects is unfair. Rather, this extreme showing of suffering is an eduction, to open the spectators eyes to this disease and its effects. There is one point I dont like about Watsons technique. I believe he does ask himself sincere ethical questions and that he answers them truthfully. I felt it did a fantastic job in warning people of the dangers of alcohol and addiction. Rain in my Heart TV Movie 2006 1 h 40 m IMDb RATING 7.6 /10 105 YOUR RATING Rate Documentary Documentary on four alcoholics living in Kent, England. It shows the situation without making of adjustments. One of them, Nigel Wratten, was shown unconscious, dead in all but name, while his wife made her final farewell;. Thus, having the camera in front of them made me feel that there was a sense of pressure on them to fulfil a certain image of an alcoholic. Maybe the subjects are letting Watson film them like this as a message to say this is a life you dont want to live and in saying that does Watsons exploiting of the subjects send a bigger message that in turn may help people going through the same things. There were also times where Watson was rather firm and intrusive in his questioning of Vandas childhood and life. This was a devastating and emotional sequence for me. He had been in a coma for weeks after his intended sacrifice and showed no sign of waking up. And it tells us a lot; it is educational, eye opening and informative. This is a bit more than just explaining the distress the subjects are going through. I would not have the heavens fair, Critics also believe that the tragic scene of when Nigel dies in front of the camera is too much to be shown to the public eye and that he took full advantage of the emotional situation for his own benefit. However, I would not say these intimacies are exploitative of the sincere as they are constantly asked for permission as to what Watson is filming is ok by them. The person who created this page shares thoughts of sympathy for Tonis family (who died during filming) and Vandas family who consequently died after filming. Critic Richard Brody ( http: //www.newyorker.com/culture/richard-brody/taking-it-off-for-the-holocaust ) described it: Schindlers List features of! 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